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As a content manager and writer, I have worked on over three dozen sites dealing with a variety of subjects ranging from Disney Parks to UFC fighting to interior design. I have always enjoyed learning about new subjects and making them accessible to others. An early adapter to Social Media, I have seen the cost-effectiveness of 2.0 and incorporated it into every site that I have worked on.
With over ten years experience in account management in the entertainment industry, I am passionate about working with clients to turn their goals into realities.
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Content Management |
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Content Management can be a vague term. In lean economic times when responsibility boundaries blur in the work place, it has become even more vague. In my experience, content management includes writing all the copy, building site maps, overseeing concept to completion, wrangling assets and account/client management. Here are a few of the sites I have managed.
Then there is the content management part.
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Social Networking is not about quantity of followers. It's about the quality of those followers. For example, I would rather have 10 people on Twitter who Re-Tweet me than 100 passive followers. In essence, having a lot of followers doesn't always equal a lot of traffic. I focus on the quality followers, in the long run it makes things much easier.
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Here are some examples of my work in social media.
Emily O'Brien
Emily O'Brien is an ingenue actress who is a series regular on "Young and The Restless." Regardless of being viewed by millions every day on the show, traffic was disappointing.
We needed to diversify her audience. We spoke to her about some additional activity she may be pursuing. Emily mentioned that she had done some test work with a company that had a new technology that could animate actors into characters into video games. The result is frighteningly life like.
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For the last four years, I have been reviewing films for the indie film site Film Radar and Crackpot Press.
Here are some recent favorites:
Bitch Slap
"This boobs-a-blazing nihilistic action-comedy embraces the genius of Russ Meyer then takes it into the 21st century with hysterically cheap green screen effects and razor-tongued dialogue that would make Quentin Tarrantino blush."
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